“Quiet rooms. We did not fight a second look.”
Giulia F. · Producer
Recce the square. Hold the plaster. Grade once.
Recce the square. Hold the plaster. Grade once.
Extracom produces commercial stills and short films from Catania. We plan photography and motion together so a lookbook and a cut share one white, and a campaign does not arrive as two vendors arguing in public.
The rooms on Via Etnea hold tabletop, a compact cyclorama, and a colour desk. Clients sit with tethered stills and a calibrated monitor in one visit. Product and grade live on the same floor.
Location days stay on the plaster we recce. Bounce and a small key match the square; we do not gel a sunset onto a grey afternoon. If the weather turns we wait or we rewrite, we do not invent Catania later.
Agencies send a media plan. We name masters for print, 1:1 and 9:16, keep a working project for the revision window, and hand an archive another editor can open without a private scheme.
A core crew that travels. Local support when the story needs it. Finishing stays in Catania.




“Quiet rooms. We did not fight a second look.”
Giulia F. · Producer
“The suite looks like the hour we stood in it.”
Andrea T. · Hotel brand
“Control frames. I finished Catania; I did not invent it.”
Serena B. · Retoucher
Tabletop, a small cyclorama, and a colour-managed finishing desk at Via Etnea 54, Catania. Tethered stills and a calibrated monitor in one visit so a pack shot and a film pull are decided in the same room.
See the studio