What to send before we hold a date

A short note to info@extracom.online is enough to start. We answer with a crew plan and a written estimate.

What the pictures are for
Where they will run, and whether you need stills, a film, or both. Square light first. Bounce and a small key that match Catania plaster, not a postcard LUT. Stills and a short film share the hour we recce, print, site, and a thirty-second cut from the same afternoon.
Place and dates
The room or the street, and the days you can hold. We leave from Via Etnea 54 in Catania.
References
Three to six frames you like, and one you do not. Say what you like about them, in a sentence.
Usage
The media, the territories and how long the pictures need to stay live. That sets the estimate more than the kit does.

What you get back

A crew plan and a written estimate: A short call first, then a visit to the room or the street at the hour we would shoot, so nothing on the day is a surprise.
A call sheet and a shot list: Shot list, call sheet, crew and kit go into one document. Must-have frames come first, extras come with a time next to them.
A contact sheet the same evening: Stills are reviewed tethered on set, film is checked on a calibrated monitor, and nobody leaves until the key frames are agreed.
Masters, versions and an archive: Finishing happens here, not with a stranger. Files are named for the media plan and delivered with a readme someone else can follow.
Masters, versions and an archive: Finishing happens here, not with a stranger. Files are named for the media plan and delivered with a readme someone else can follow.

References, a date and where the pictures will run. We reply with names and a figure.